Do we give the proper value?



Aren’t we forgetting the real value of what surrounds us? Do we look at things with objectivity? Can we remember that we are just lucky to be born here, in this side of the planet? Do we hardly leave our stressed lives and our small world to think about injustice, war, hunger, that millions of human beings are suffering? If so, it is time to stop that tendency and save what should be better in each of us, in all human kind, that is, feelings of compassion, solidarity, capacity of feeling.

And why does it happen? Is it frightening to go on to the other side? I think that it is more comfortable for us, to treat those problems as a hermetical environment, a place where we don’t want to go often. But I’m sure that, even if we are blind, one day it will overlap on us.

We treat our lives as microcosms of the world, we want it to be perfect, and we work for it. However, in order to be really happy, we must use our skills, use our intelligence, our heart, basically we are not outsiders of the humanity and its problems, but instead we have to assume our responsibilities and start working for a better world, to leave a legacy to the future.

After we realise what the object is, we can start thinking in all those protagonists of an unfair world. And then, we will remember when we take a simple glass of water, that millions have no drinking water at all and must walk several miles to obtain only a few litters and most of them are vulnerable children. We must imperatively appreciate the small things near us. Absolutely never forget to appreciate life, family, music, silence, peace, beauty, nature, children, company, laughs, friendship, books…(and so on).

Basically, I wrote about this theme because of the book I just finished reading, called “The Book Thief”, from Marcus Zusak, an Australian writer. This book tells us about a little girl living through the World War II. One passage from the book describes us how important small things are. Liesel receives from a neighbour the ration portion of coffee, a true treasure in those days, in exchange for reading a book, sometimes in Frau Holtzapfel`s house and other times inside the anti-bomb shelter.

Somehow we will manage to be complete human beings, despite this modern life which is fragmented by technologies and stress, and I’m sure, we will finally be able to continuously communicate and share our feelings.

Paula

18/o1/2009

Tuesday 12 May 2009

A story- The Dead Boy at Your Window

In a distant country where the towns had improbable names, a woman looked upon the unmoving form of her newborn baby and refused to see what the midwife saw. This was her son. She had brought him forth in agony, and now he must suck. She pressed his lips to her breast.

“But he is dead!” said the midwife.

“No,” his mother lied. “I felt him suck just now.” Her lie was as milk to the baby, who really was dead but who now opened his dead eyes and began to kick his dead legs. “There, do you see?” And she made the midwife call the father in to know his son.

The dead boy never did suck at his mother's breast. He sipped no water, never took food of any kind, so of course he never grew. But his father, who was handy with all things mechanical, built a rack for stretching him so that, year by year, he could be as tall as the other children.

When he had seen six winters, his parents sent him to school. Though he was as tall as the other students, the dead boy was strange to look upon. His bald head was almost the right size, but the rest of him was thin as a piece of leather and dry as a stick. He tried to make up for his ugliness with diligence, and every night he was up late practicing his letters and numbers.

His voice was like the rasping of dry leaves. Because it was so hard to hear him, the teacher made all the other students hold their breaths when he gave an answer. She called on him often, and he was always right.

Naturally, the other children despised him. The bullies sometimes waited for him after school, but beating him, even with sticks, did him no harm. He wouldn't even cry out.

One windy day, the bullies stole a ball of twine from their teacher's desk, and after school, they held the dead boy on the ground with his arms out so that he took the shape of a cross. They ran a stick in through his left shirt sleeve and out through the right. They stretched his shirt tails down to his ankles, tied everything in place, fastened the ball of twine to a buttonhole, and launched him. To their delight, the dead boy made an excellent kite. It only added to their pleasure to see that owing to the weight of his head, he flew upside down.

When they were bored with watching the dead boy fly, they let go of the string. The dead boy did not drift back to earth, as any ordinary kite would do. He glided. He could steer a little, though he was mostly at the mercy of the winds. And he could not come down. Indeed, the wind blew him higher and higher.

The sun set, and still the dead boy rode the wind. The moon rose and by its glow he saw the fields and forests drifting by. He saw mountain ranges pass beneath him, and oceans and continents. At last the winds gentled, then ceased, and he glided down to the ground in a strange country. The ground was bare. The moon and stars had vanished from the sky. The air seemed gray and shrouded. The dead boy leaned to one side and shook himself until the stick fell from his shirt. He wound up the twine that had trailed behind him and waited for the sun to rise. Hour after long hour, there was only the same grayness. So he began to wander.

He encountered a man who looked much like himself, a bald head atop leathery limbs. “Where am I?” the dead boy asked.

The man looked at the grayness all around. “Where?” the man said. His voice, like the dead boy's, sounded like the whisper of dead leaves stirring.

A woman emerged from the grayness. Her head was bald, too, and her body dried out. “This!” she rasped, touching the dead boy's shirt. “I remember this!” She tugged on the dead boy's sleeve. “I had a thing like this!”

“Clothes?” said the dead boy.

“Clothes!” the woman cried. “That's what it is called!”

More shriveled people came out of the grayness. They crowded close to see the strange dead boy who wore clothes. Now the dead boy knew where he was. “This is the land of the dead.”

“Why do you have clothes?” asked the dead woman. “We came here with nothing! Why do you have clothes?”

“I have always been dead,” said the dead boy, “but I spent six years among the living.”

“Six years!” said one of the dead. “And you have only just now come to us?”

“Did you know my wife?” asked a dead man. “Is she still among the living?”

“Give me news of my son!”

“What about my sister?”

The dead people crowded closer.

The dead boy said, “What is your sister's name?” But the dead could not remember the names of their loved ones. They did not even remember their own names. Likewise, the names of the places where they had lived, the numbers given to their years, the manners or fashions of their times, all of these they had forgotten.

“Well,” said the dead boy, “in the town where I was born, there was a widow. Maybe she was your wife. I knew a boy whose mother had died, and an old woman who might have been your sister.”

“Are you going back?”

“Of course not,” said another dead person. “No one ever goes back.”

“I think I might,” the dead boy said. He explained about his flying. “When next the wind blows....”

“The wind never blows here,” said a man so newly dead that he remembered wind.

“Then you could run with my string.”

“Would that work?”

“Take a message to my husband!” said a dead woman.

“Tell my wife that I miss her!” said a dead man.

“Let my sister know I haven't forgotten her!”

“Say to my lover that I love him still!”

They gave him their messages, not knowing whether or not their loved ones were themselves long dead. Indeed, dead lovers might well be standing next to one another in the land of the dead, giving messages for each other to the dead boy. Still, he memorized them all. Then the dead put the stick back inside his shirt sleeves, tied everything in place, and unwound his string. Running as fast as their leathery legs could manage, they pulled the dead boy back into the sky, let go of the string, and watched with their dead eyes as he glided away.

He glided a long time over the gray stillness of death until at last a puff of wind blew him higher, until a breath of wind took him higher still, until a gust of wind carried him up above the grayness to where he could see the moon and the stars. Below he saw moonlight reflected in the ocean. In the distance rose mountain peaks. The dead boy came to earth in a little village. He knew no one here, but he went to the first house he came to and rapped on the bedroom shutters. To the woman who answered, he said, “A message from the land of the dead,” and gave her one of the messages. The woman wept, and gave him a message in return.House by house, he delivered the messages.

House by house, he collected messages for the dead. In the morning, he found some boys to fly him, to give him back to the wind's mercy so he could carry these new messages back to the land of the dead.

So it has been ever since. On any night, head full of messages, he may rap upon any window to remind someone -- to remind you, perhaps -- of love that outlives memory, of love that needs no names.

No comments:

A new experience


Hello!

I´m Paula , I´m 42 years-old and I´m living in Lisbon but I spend my weekends in a country house!

I feel passion for my daughter and my family.

During the year, I use to go several times to Prague ,in order to visit my child that´s currently studying Medicine there. I just love that city, we can go everyday to concerts or ballet cheaper than the cinema. My hobbies are books, books, books, music , music , music ( classical/opera). My favourite performer was, is Maria Callas.

I also spend my free time, taking care of my garden and cooking, when possible I attend to some workshops to learn more about foreign cuisines and painting.

I´m always dreaming about the next travel!

At this point of my life I´m completely focused in my studies, I´m loving this new experience.

Best Wishes!


Prague

Merry Christmas

When snow is shaken
From the balsam trees
And they're cut down
And brought into our houses
When clustered sparks
Of many-colored fire
Appear at night
In ordinary windows
We hear and sing
The customary carols
They bring us ragged miracles
And hay and candles
And flowering weeds of poetry
That are loved all the more
Because they are so common
But there are carols
That carry phrases
Of the haunting music
Of the other world
A music wild and dangerous
As a prophet's message
Or the fresh truth of children
Who though they come to us
From our own bodies
Are altogether new
With their small limbs
And birdlike voices
They look at us
With their clear eyes
And ask the piercing questions
God alone can answer.


Anne Porter


Merry Christmas ,
Paula